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    make up
  • The composition or constitution of something

  • constitution: the way in which someone or something is composed

  • Cosmetics such as lipstick or powder applied to the face, used to enhance or alter the appearance

  • The combination of qualities that form a person's temperament

  • makeup: an event that is substituted for a previously cancelled event; "he missed the test and had to take a makeup"; "the two teams played a makeup one week later"

  • constitute: form or compose; "This money is my only income"; "The stone wall was the backdrop for the performance"; "These constitute my entire belonging"; "The children made up the chorus"; "This sum represents my entire income for a year"; "These few men comprise his entire army"





    bradley
  • Bill (1943–), US basketball player and politician; full name William Warren Bradley. He played professionally for the New York Knicks 1967–77 before entering politics. A New Jersey Democrat, he served as a US senator 1979–97. In 2000, he unsuccessfully campaigned to be the Democratic presidential nominee. Basketball Hall of Fame (1983)

  • United States politician who was elected the first black mayor of Los Angeles (1917-1998)

  • United States general who played an important role in the Allied victory in World War II (1893-1981)

  • Bradley is an English masculine given name. It comes from a surname and a place name meaning "broad wood" or "broad clearing" in Old English.





    jane
  • A woman

  • Jane McDonald (born 4 April 1963 ) is a British singer, actress and media personality, who first became famous following her appearance on the BBC docusoap The Cruise.

  • This is a list of characters from The WB/The CW (1996–2007) family drama, 7th Heaven.

  • The Jane Collective was an underground abortion service which operated in Chicago, Illinois, from 1969 to 1973. The collective was started by women when they realized that many illegal abortion providers were not doctors.











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A Red Herring Without Mustard: A Flavia de Luce Novel


A Red Herring Without Mustard: A Flavia de Luce Novel



NEW YORK TIMES BESTSELLER

Alan Bradley, author of the most award-winning series debut of any year, returns with another irresistible Flavia de Luce novel

In the hamlet of Bishop’s Lacey, the insidiously clever and unflappable eleven-year-old sleuth Flavia de Luce had asked a Gypsy woman to tell her fortune—never expecting to later stumble across the poor soul, bludgeoned almost to death in the wee hours in her own caravan. Was this an act of retribution by those convinced that the soothsayer abducted a local child years ago? Certainly Flavia understands the bliss of settling scores; revenge is a delightful pastime when one has two odious older sisters. But how could this crime be connected to the missing baby? As the red herrings pile up, Flavia must sort through clues fishy and foul to untangle dark deeds and dangerous secrets.

BONUS: This edition contains an excerpt from Alan Bradley's I Am Half-Sick of Shadows.

Guest Reviewer: Louise Penny on A Red Herring Without Mustard


Louise Penny is the bestselling author of Bury Your Dead,The Brutal Telling, Still Life and A Fatal Grace.
Alan Bradley’s third Flavia de Luce mystery, A Red Herring Without Mustard, exceeds in every way, if that’s even possible, his first two. Flavia uses her trademark cunning in scheming to get even with her older sisters who lay in wait to torment her. She saves a gypsy’s life, befriends Porcelain, the gypsy’s granddaughter, solves a puzzling and bizarre murder involving an ancient non-conformist cult, collects clues the police have missed and fearlessly ventures into danger. She is always feisty, always smart. I adore her. And while it is wonderful to read her as an adult I wish I’d had Flavia as a role model while growing up. It’s cool to be smart. It’s cool to be Flavia! And it’s great to be among her legion of fans.

NEW YORK TIMES BESTSELLER

Alan Bradley, author of the most award-winning series debut of any year, returns with another irresistible Flavia de Luce novel

In the hamlet of Bishop’s Lacey, the insidiously clever and unflappable eleven-year-old sleuth Flavia de Luce had asked a Gypsy woman to tell her fortune—never expecting to later stumble across the poor soul, bludgeoned almost to death in the wee hours in her own caravan. Was this an act of retribution by those convinced that the soothsayer abducted a local child years ago? Certainly Flavia understands the bliss of settling scores; revenge is a delightful pastime when one has two odious older sisters. But how could this crime be connected to the missing baby? As the red herrings pile up, Flavia must sort through clues fishy and foul to untangle dark deeds and dangerous secrets.

BONUS: This edition contains an excerpt from Alan Bradley's I Am Half-Sick of Shadows.










83% (13)





back in the day...




back in the day...





i uploaded this years ago, thought i'd give it a re-edit because i really like it :)
iv tagged a few peeople :)
enjoyy!

3 things that have changed about you this year:
~Last year, I was really niave
~Last year, I was too worried about what people thought of me
~Last year, i was skint.

10 Wishes:
1. To be 100% happy
2. To get fitter. GO JOGGING!
3. For people not to use me
4. To get better at photography.
5. To use film :)
6. Start driving :) eeeee
7. Drink less tea... ;)
8. Dance more
9. Party more
10. Chill more

5 Goals for this summer:
~Have a beach party
~Give 50hours volunteering :)
~Spend time with my family
~Lay in my garden listening to darwin deez in the sunshine
~Go on a shoot in the sunshiiine

3 things that make me happy:
1. Friends
2. Music
3. Stories
3 things that make me sad:
1. Liars
2. Pretenders
3. Dissapointment
3 things I need to stop doing:
1. Over analsying
2. Going to Macdonalds
3. Not working when Im meant to be...
3 favorite disney movies:
1. CLOUDY WITH A CHANCE OF MEATBALLS (is that disney?)
2. Up
3. Cinderella

Name: Ellie
Age: Nearly 17
Country: England
Ethnicity: I'm from Whitby, and Newcastle....soooo....English?
Dreams: To be fulfilled
Fears: Lonely.
Favorite movie: Hot Rod
Favorite color: Blue
Favorite show: Plain Jane. LOL
Favorite song: AT the moment.... Ready for the floor (hot chip)
Favorite actor/actress: BRADLEY COOPER <3
Favorite band/singer: Foster the People
Dislikes: Liars.
Favorite quote: "Dont worry denise, ive done this before..."

15 songs on shuffle:
1. Free Fallin' - John Mayer
2. Goodbye Mr A - The Hoosiers
3. Undercover Martyn - Two Door Cinema Club
4. The Cave - Mumford and Sons
5. Million Faces - Paolo Nutini
6. Fools - The Temper Trap
7. Edie - Leddra Chapman
8. Come Closer - Miles Kane
9. Dr Suzanne Mattox phD - The Wombats
10. Stop and Stare - One Republic
11. Badman - Newton Faulkner
12. I Can Talk - Two Door Cinema Club
13. Chemistry - One Night Only
14. Gotta Boyfriend - Frankmusik
15. Wildfire - SBTRKT











Bradley, Jane, and Tim piddlin' way the morning




Bradley, Jane, and Tim piddlin' way the morning





Bradley, bearing tidings of comfort, joy, and a new CD by Kimya Dawson, lit lightly in Boonville for pasta and chuckles while his entrance brought a first snow to the shore of the Big Muddy.


To a downfallen rose

When I laid aside the verses of Mimnermus,
I lived a life of canned heat and raw hands,
alone, not far from my body did I wander,
walked with a hope of a sudden dreamy forest of gold.
O rose, downfallen, bend your huge vegetic back;
eye down the imposter sun...in winter dream
sulk your rosefamed head into the bile of golden giant,
ah, rose, augment the rose further still!
whence upon that self-created dive in Eden
you blossomed where the Watchmaker of Nothingness
lulled,
your birth did cause bits of smashed night to pop,
causing my dreamy forest to unfold.
Yes, and the Watchmaker, his wheely-flesh
and jewelled-bones spoiled as he awoke,
and in the face of your Somethingness, he fled
waving oblivious monks in his unwinded hands.
The sun cannot see upheaved spatics, the tennis of Venus
and the court of Mars sing the big lie of the sun,
ah, faraway ball of fur, sponge up the elements;
make clear the trees and the mountains of the earth,
arise and turn away from the vast fixedness.

Rose! Rose! my tinhorneared rose!
Rose is my visionic eyehand of all Mysticdom
Rose is my wise chair of bombed houses
Rose is my patient electric eyes, eyes, eyes, eyes,
Rose is my festive jowl,
Dali Lama Grand Vicar Glorious Caesar rose!

When I hear the rose scream
I gather all the failure experiments of an anatomical empire
and, with some chemical dream, discover
the hateful law of the earth and sun, and the screaming
rose between.

--Gregory Corso









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jane bradley make up




The Weed That Strings the Hangman's Bag: A Flavia de Luce Novel (Flavia De Luce Mysteries)






BONUS: This edition includes an excerpt from Alan Bradley's A Red Herring Without Mustard, discussion questions, and an essay by the author.

Flavia de Luce, a dangerously smart eleven-year-old with a passion for chemistry and a genius for solving murders, thinks that her days of crime-solving in the bucolic English hamlet of Bishop’s Lacey are over—until beloved puppeteer Rupert Porson has his own strings sizzled in an unfortunate rendezvous with electricity. But who’d do such a thing, and why? Does the madwoman who lives in Gibbet Wood know more than she’s letting on? What about Porson’s charming but erratic assistant? All clues point toward a suspicious death years earlier and a case the local constables can’t solve—without Flavia’s help. But in getting so close to who’s secretly pulling the strings of this dance of death, has our precocious heroine finally gotten in way over her head?



Amazon Exclusive: An Essay by Alan Bradley


Flavia de Luce walked into my life one winter day, parked herself on a campstool, and refused to be budged.
It took me quite a while to realize that she wasn’t even faintly interested in the mystery novel I was attempting to write at the time: the one into which she had wandered. I found out quickly enough that Flavia wanted her own book--and that was that.
And it was just the beginning. There were still more problems to come.
The first was this: Flavia lived in 1950, while I was writing about her in 2006 and 2007.
As an author, it’s not as easy as you might think projecting--and keeping--your mind in a different century from your body--not without forever being yanked back into the present by everyday annoyances such as frozen water pipes, expiring license plates, incessantly barking dogs, and the need to shop for food.
Another problem was this: I lived on Canada’s west coast, where the clocks are set to Pacific Time, while Flavia lived in Bishop’s Lacey, England, which is on Greenwich Mean Time--a difference of nine hours. In practical terms, this meant that Flavia was raring to go every day just as I was getting ready for bed. Because there was no point in either of us being tired and cranky, we finally managed to work out a compromise in which I began awakening at 4:00 a.m. to write, while Flavia (rather impatiently) hung around until after lunch, waiting for me to show up.
As The Sweetness at the Bottom of the Pie progressed, I soon learned that Flavia wouldn’t be pushed around--especially by me. Because she had so many of her own ideas, she had little patience with mine. Occasionally, if I were tired, I’d find myself trying to put words in her mouth: to push her, as it were. But Flavia would have none of it.
"Blot that," she seemed to be saying. "Let’s back up and start again."
And of course we did.
Then there was the problem of the chemistry. While Flavia knew everything about chemistry that could be known, my own knowledge of the subject could be put into a thimble with room left over for a finger. If I protested that I was in doubt about the precise details of one of her more bizarre chemical experiments, Flavia would snap her metaphorical fingers and say, "Well, you can look it up in your spare time."
Almost from the outset I realized that the tale Flavia had to tell could never be contained in a single book. And that’s how the series was born. Fortunately, my editors were in total agreement!
We liked the idea of each book revolving around some now-vanished English custom, or way of life, and of being able, gradually, to get to know the de Luce family, giving each of them the time and the space to--eventually--tell his or her own story.
Of course, to convey authentic 1950s voices, the pacing would have to be slower than we are used to in the 21st century. On the other hand, a more relaxed narrative would allow for an additional overall richness of description that might not be found in a more breakneck series of thrillers.
But I needn’t have worried: Flavia had her own voice and insisted on being listened to.
It was I who had to do the learning. --Alan Bradley
(Photo © Shirley Bradley)

BONUS: This edition includes an excerpt from Alan Bradley's A Red Herring Without Mustard, discussion questions, and an essay by the author.

Flavia de Luce, a dangerously smart eleven-year-old with a passion for chemistry and a genius for solving murders, thinks that her days of crime-solving in the bucolic English hamlet of Bishop’s Lacey are over—until beloved puppeteer Rupert Porson has his own strings sizzled in an unfortunate rendezvous with electricity. But who’d do such a thing, and why? Does the madwoman who lives in Gibbet Wood know more than she’s letting on? What about Porson’s charming but erratic assistant? All clues point toward a suspicious death years earlier and a case the local constables can’t solve—without Flavia’s help. But in getting so close to who’s secretly pulling the strings of this dance of death, has our precocious heroine finally gotten in way over her head?












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